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&amp;lt;h1 align=center&amp;gt;Bibliography&amp;lt;/h1&amp;gt;&lt;br /&gt;
&amp;lt;h4&amp;gt;List of sources cited in the PDF pages which give full descriptions of each entry.&amp;lt;/h4&amp;gt;&lt;br /&gt;
&amp;lt;h5&amp;gt;Click on the &amp;#039;Full description&amp;#039; link in each entry to see the PDF file.&amp;lt;/h5&amp;gt;&lt;br /&gt;
&amp;lt;hr&amp;gt;&amp;lt;p&amp;gt; &amp;amp;nbsp; &amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;P. Aquilon, &amp;#039;&amp;#039;Répertoire bibliographique des livres imprimés en France au seizième siècle&amp;#039;&amp;#039;, (27e livraison, Caen (suite), &amp;#039;&amp;#039;Bibliotheca Bibliographica Aureliana&amp;#039;&amp;#039;, 73) Baden-Baden, Koerner, 1978&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Josef Benzing, &amp;#039;&amp;#039;Die Buchdrucker des 16. und 17. Jahrhunderts im deutschen Sprachgebiet&amp;#039;&amp;#039;, in &amp;#039;&amp;#039;Beiträge zum Buch- und Bibliothekswesen&amp;#039;&amp;#039;, Band 12, Wiesbaden: Harrassowitz, 1963.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;J.-C. Brunet, &amp;#039;&amp;#039;Manuel du libraire et de l&amp;#039;amateur de livres&amp;#039;&amp;#039;, Paris, 1861.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;C. F. Bühler, ‘Chainlines versus imposition in incunabula’, &amp;#039;&amp;#039;Studies in bibliography&amp;#039;&amp;#039;, xxiii, 1970.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;C. F. Bühler, ‘The earliest editions of Juvenal’, &amp;#039;&amp;#039;Studies in the Renaissance&amp;#039;&amp;#039;, 2, 1955.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;C. F. Bühler, ‘On the Horace printed in Rome by Wendelinus de Wila or Bartholomaeus Guldinbeck’, &amp;#039;&amp;#039;La Bibliofilia&amp;#039;&amp;#039;, 1935, 376–80.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;N. Catach, &amp;#039;&amp;#039;L’orthographe française à l&amp;#039;époque de la Renaissance&amp;#039;&amp;#039;, Geneva, 1968.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;A. Claudin, &amp;#039;&amp;#039;The first Paris press. An account of the books printed for G. Fichet and J. Heynlin in the Sorbonne, 1470–1472&amp;#039;&amp;#039;, London: The Bibliographical Society, 1898.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Léopold Delisle, &amp;#039;&amp;#039;Catalogue des livres imprimés ou publiés a Caen avant le milieu du XVIe siecle&amp;#039;&amp;#039;, in: &amp;#039;&amp;#039;Bull. Soc. Antiquaires de Normandie&amp;#039;&amp;#039;, t. 23, 24, 1903, 1904.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Louis Desgraves [and others], &amp;#039;&amp;#039;Répertoire bibliographique des livres imprimés en France au XVIe siècle&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Bibliotheca bibliographica Aureliana&amp;#039;&amp;#039;, 25, etc., Baden-Baden, Heitz, 1968–&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Thomas Frognall Dibdin, &amp;#039;&amp;#039;An introduction to the knowledge of rare and valuable editions of the Greek and Latin classics : together with an account of polyglot bibles, polyglot psalters, Hebrew bibles, Greek bibles and Greek testaments; the Greek fathers, and the Latin fathers&amp;#039;&amp;#039;, London, 1827.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;C. Dondi, ‘Printers and guilds in fifteenth-century Venice’, &amp;#039;&amp;#039;La Bibliofilia&amp;#039;&amp;#039;, cvi, 2004, 229–265.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;J. Dunston, ‘Studies in Domizio Calderini’, &amp;#039;&amp;#039;Italia Medioevale e Humanistica&amp;#039;&amp;#039;, 11, (1968), 71–150.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;EMoBookTrade: Early Modern Book Privileges in Venice (http://emobooktrade.unimi.it/)&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Victor  Masséna, Prince d’Essling, &amp;#039;&amp;#039;Les livres à figures vénitiens de la fin du XVe siècle et du commencement du XVIe&amp;#039;&amp;#039;. 4 vols. Florence, 1907-14. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;J. A. Fabricius, &amp;#039;&amp;#039;Bibliotheca latina nunc melius delecta rectius digesta et aucta&amp;#039;&amp;#039;, Leipzig, 1773, 1774.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;C. Fahy, ‘Royal-paper copies of Aldine editions, 1494–1550’, &amp;#039;&amp;#039;Studies in Bibliography&amp;#039;&amp;#039;, 57, 2005–2006, 85-113.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Mariano Fava and Giovanni Bresciano, &amp;#039;&amp;#039;La stampa a Napoli nel XV secolo&amp;#039;&amp;#039;. 2 vols. Leipzig, 1911–12. (&amp;#039;&amp;#039;Sammlung bibliothekswissenschaftlicher Arbeiten&amp;#039;&amp;#039;, 32–33), no. 238.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;H. G. Fletcher III, &amp;#039;&amp;#039;New Aldine Studies&amp;#039;&amp;#039;, San Fransisco, 1988.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;D. F. Foxon ‘Some notes on agenda format’, &amp;#039;&amp;#039;The Library&amp;#039;&amp;#039;, 5, viii, 1953.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Edouard Frère, &amp;#039;&amp;#039;Manuel du bibliographe normand&amp;#039;&amp;#039;, Rouen, 1858.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Rinaldo Fulin, “Documenti per servire alla storia della tipografia veneziana”, &amp;#039;&amp;#039;Archivio Veneto&amp;#039;&amp;#039;, 23 (1882) 1, pp. 84-212.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Arnaldo Ganda, &amp;#039;&amp;#039;Filippo Cavagni da Lavagna: editore, tipografo, commerciante a Milano nel Quattrocento&amp;#039;&amp;#039;, Firenze, 2006.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Arnaldo Ganda, ‘Marco Roma’, &amp;#039;&amp;#039;La Bibliofilia&amp;#039;&amp;#039;, lxxxiii (1981) 97–112.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Arnaldo Ganda, &amp;#039;&amp;#039;I primordi della tipografia milanese: Antonio Zarotto da Parma (1471–1507)&amp;#039;&amp;#039;. Florence: Olschki, 1984, pp&lt;br /&gt;
. 40–48.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;P. Gaskell, &amp;#039;&amp;#039;New Introduction to Bibliography&amp;#039;&amp;#039;, Oxford, 1972.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Henry Harrisse, &amp;#039;&amp;#039;Excerpta Colombina. Bibliographie de quatre cents pieces gothiques françaises, italiennes et latines&amp;#039;&amp;#039;, Paris, 1887.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;W. and L. Hellinga, &amp;#039;&amp;#039;The fifteenth-century printing types of the Low Countries&amp;#039;&amp;#039;, Amsterdam, 1966, 2 vols.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Lotte Hellinga, &amp;#039;&amp;#039;Texts in Transit: Manuscript to Proof and Print in the Fifteenth Century&amp;#039;&amp;#039;, Leiden: Brill, 2014.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;&amp;#039;&amp;#039;Imprimeurs &amp;amp; libraires parisiens du XVIe siècle. Ouvrage publié d’apres les manuscrits de Philippe Renouard&amp;#039;&amp;#039;, t. 2, Paris, 1969.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;M. Kutter, &amp;#039;&amp;#039;Celio Secondo Curione: sein Leben und sein Werk&amp;#039;&amp;#039;, Basle, 1955.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;P. de Labriolle and F. Villeneuve (eds), &amp;#039;&amp;#039;Juvénal. Satires, texte établi et traduit par Pierre de Labriolle et François Villeneuve&amp;#039;&amp;#039;. Septième edition, Paris, 1962.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;H. W. Lawton, &amp;#039;&amp;#039;Térence en France au seizième siècle&amp;#039;&amp;#039;, Paris, 1926, reprinted .&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Ronald B. McKerrow, &amp;#039;&amp;#039;An introduction to bibliography for literary students&amp;#039;&amp;#039;; introduction by David McKitterick, Winchester, 1994.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Morris Hicky Morgan, &amp;#039;&amp;#039;A bibliography of Persius&amp;#039;&amp;#039;, Cambridge (Massachusetts), 1909.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;M. Lowry, &amp;#039;&amp;#039;Nicholas Jenson and the rise of Venetian publishing in Renaissance Europe&amp;#039;&amp;#039;, Oxford, Blackwell, 1991.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Paul Needham, ‘Aldus Manutius’ paper stocks: The evidence of two uncut books’, &amp;#039;&amp;#039;Princeton Library Chronicle&amp;#039;&amp;#039;, vol. 55 (1994), pp. 287-307, reprinted in &amp;#039;&amp;#039;The Same Purposeful Instinct: Essays in honour of William H. Scheide&amp;#039;&amp;#039;, edited by William P. Stoneman, Princeton, Princeton University Library, 1994, pp. 135-155.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Paul Needham, ‘ISTC as a tool for analytical bibliography’, in: &amp;#039;&amp;#039;Bibliography and the Study of 15th-Century Civilisation&amp;#039;&amp;#039;, British Library Occasional Papers, 5, London (1987) 39–54.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Holger Nickel, ‘Orations crossing the Alps’, in: &amp;#039;&amp;#039;Incunabula and their readers: Printing, selling and using books in the fifteenth century&amp;#039;&amp;#039;, ed. Kristian Jensen, London, British Library, 2003, 153–158.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;F. J. Norton, &amp;#039;&amp;#039;Italian printers, 1501–1520&amp;#039;&amp;#039;, Cambridge, 1958.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Angela Nuovo, &amp;#039;&amp;#039;Alessandro Paganino 1509–1538&amp;#039;&amp;#039;, Padua, 1990.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Angela Nuovo, ‘La parte veneziana della collezione in-24° di Alessandro Paganini (1515–1516)’ in &amp;#039;&amp;#039;I primordi della stampa a Brescia&amp;#039;&amp;#039;, Padua, 1986, pp. 81–106.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Annaclara Cataldi Palau, &amp;#039;&amp;#039;Gian Francesco d’Asola e la tipografia Aldina. La vita, le edizioni, la biblioteca dell’Asolano&amp;#039;&amp;#039;. Genoa: 1998.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;A. F. Parisi, &amp;#039;&amp;#039;Jacottino de Rubeis, Tipografo Pinerolese&amp;#039;&amp;#039;, (&amp;#039;&amp;#039;Biblioteca della Società pinerolese&amp;#039;&amp;#039;, I), Pinerolo, 1953.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;William A. Pettas, &amp;#039;&amp;#039;The Giunti of Florence. A Renaissance printing and publishing family. A History of the Florentine firm and a Catalogue of the editions&amp;#039;&amp;#039;. Delaware, 2013.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Robert Proctor, &amp;#039;&amp;#039;The Printing of Greek in the fifteenth century&amp;#039;&amp;#039;, Oxford, 1900.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;A.A. Renouard, &amp;#039;&amp;#039;Annales de l’imprimerie des Alde&amp;#039;&amp;#039;, Troisième édition, Paris, 1834, reprinted New Castle, Delaware, 1991.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Philippe Renouard, &amp;#039;&amp;#039;Bibliographie des éditions de Simon de Colines (1520–1546)&amp;#039;&amp;#039;, Paris, 1894.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Philippe Renouard, &amp;#039;&amp;#039;Répertoire des imprimeurs parisiens, libraires, fondeurs de caractères et correcteurs d’imprimerie depuis l’introduction de l’Imprimerie à Paris (1470) jusqu’à la fin du seizième siècle&amp;#039;&amp;#039;, Paris, 1965.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Dennis Rhodes, &amp;#039;&amp;#039;The Library&amp;#039;&amp;#039;, 6, viii, 1986, p. 77, reviewing Marco Santoro, &amp;#039;&amp;#039;La stampa a Napoli nel Quattrocento&amp;#039;&amp;#039; (Istituto Nazionale di Studi sul Rinascimento Meridionale. Studi, no. 1) Napoli 1984,writing on Santoro no. 321.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Joseph William Ross, &amp;#039;&amp;#039;A Manual of classical bibliography&amp;#039;&amp;#039;, London, 1825, 2 vols.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Anne Rouzet, &amp;#039;&amp;#039;Dictionnaire des imprimeurs, libraires et éditeurs des XVe et XVIe siècles dans les limites géographiques de la Belgique actuelle&amp;#039;&amp;#039;, Nieuwkoop, 1975.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;E. Sandal, &amp;#039;&amp;#039;Editori e tipografi a Milano nel Cinquecento&amp;#039;&amp;#039;, Baden-Baden, 1981.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Max Sander, &amp;#039;&amp;#039;Le livre à figures italien depuis 1467 jusqu’en 1530: essai de sa bibliographie et de son histoire&amp;#039;&amp;#039;. 6 vols. New York, 1941.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;E. M. Sanford, ‘Iuuenalis’, in &amp;#039;&amp;#039;Catalogus translationum et commentariorum&amp;#039;&amp;#039;, ed. P. O. Kristeller, 1960,  I, 175–238. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;R. A. Sayce, ‘Compositorial practices and the localization of printed books, 1530-1800’, &amp;#039;&amp;#039;The Library&amp;#039;&amp;#039;, 5, xxi, 1966, 1–45.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;Piero Scappecchi, ‘Johannes Philippus de Lignamine and two untraced editions’, &amp;#039;&amp;#039;The Library&amp;#039;&amp;#039;, 6th series, 12, 1990, 53–55.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;V. Scholderer, ‘The first editions of Jacques le Rouge’ in &amp;#039;&amp;#039;Gutenberg Jahrbuch 1952&amp;#039;&amp;#039;, 47–49, reprinted in &amp;#039;&amp;#039;Fifty Essays in fifteenth- and sixteenth-century bibliography&amp;#039;&amp;#039;, ed. D. E. Rhodes, Amsterdam, 1966.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;V. Scholderer, ‘Printing at Venice to the end of 1481’ (reprinted in &amp;#039;&amp;#039;Fifty Essays&amp;#039;&amp;#039;, ed. D. E. Rhodes, 1966).&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;D. J. Shaw, ‘The first English editions of Horace, Juvenal and Persius’, &amp;#039;&amp;#039;The Library&amp;#039;&amp;#039;, 5, xxv, 1970, 219–225.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;D. J. Shaw, ‘Four early Parisian Juvenals’, &amp;#039;&amp;#039;Gutenberg-Jahrbuch 1972&amp;#039;&amp;#039;, 142–47.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;D. J. Shaw, ‘Books in 24° format by Pierre Vidoue’, &amp;#039;&amp;#039;Gutenberg-Jahrbuch 1974&amp;#039;&amp;#039;.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;D. J. Shaw, ‘“Ars formularia”: neo-Latin synonyms for printing’, &amp;#039;&amp;#039;The Library&amp;#039;&amp;#039;, 6, xi, 1989, 220-30.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;D. J. Shaw, ‘The Lyons counterfeit of Aldus’s italic type: a new chronology’, &amp;#039;&amp;#039;The Italian Book, 1465–1800&amp;#039;&amp;#039;, British Library, 1993, 117–33.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;D. J. Shaw, ‘Andreas Belfortis, first printer in Ferrara: a revised chronology of his output, 1471–1478’, &amp;#039;&amp;#039;La Bibliofilia&amp;#039;&amp;#039;, 105/1 (2003), 3–25.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;D. J. Shaw, ‘Editions of the classics printed by the Officina Plantiniana in 24o format’, &amp;#039;&amp;#039;De Gulden Passer&amp;#039;&amp;#039;. &amp;#039;&amp;#039;Tijdschrift voor boekwetenschap&amp;#039;&amp;#039;, 89, no. 2 (2011) 249–255.&amp;lt;/p&amp;gt;&lt;br /&gt;
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&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;P. Tremoli, ‘Raffaele Zovenzoni: un umanista sulle due sponde dell’Adriatico’ in: V. Branca and S. Graciotti (eds), &amp;#039;&amp;#039;L’umanesimo in Istria&amp;#039;&amp;#039;, Florence, 1983.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;D. B. Updike, &amp;#039;&amp;#039;Printing Types: Their History, Forms and Use&amp;#039;&amp;#039;, Harvard Univ. Press, 1922.&amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p class=&amp;quot;hang&amp;quot;&amp;gt;J. Veyrin-Forrer, ‘Aux origines de l’imprimerie française: l’atelier de la Sorbonne et ses mécènes (1470–1473)’, in &amp;#039;&amp;#039;La lettre &amp;amp; le texte: trente années de recherches sur l&amp;#039;histoire du livre&amp;#039;&amp;#039;, Paris, 1987.&amp;lt;/p&amp;gt;&lt;/div&gt;</summary>
		<author><name>djs&gt;Admin</name></author>
	</entry>
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